in
which Shan offered one of the great acting achievements of his life.
Over the years, Shan has boldly crafted a challenge rarely found in
Pakistani show business. There
is more to his talents than meets the eye. The 1990 film 'Nagina' is a
testament to Shan's acting skill. Shan- Madiha Shah played the lead in
director Altaf Husain's 'Nagina.'
Likewise, the 1990 Punjabi film 'Pyar
karn toon naeen darna', took Shan on the road to lasting fame.
Essentially, Shan is a natural actor,
and there are genuinely sweet moments between him and his co- artist.
Shan came out distinctly powerful in the three movies below:
'Mard', 1991, director, Altaf Husain.
Shan- Madiha Shah played the lead.
'Nigahain', 1991, director Hasnain,
Shan- Madiha Shah played the lead.
'Naila', 1992, director Hasnain, Shan
played the lead opposite Madiha Shah.
Shan takes the genre to another level
with an amazing vision. About that there should be no question.
Additionally, we have a huge audience who relate to Shan's style of
expression.
Alternating between acting and
directing, Shan was frequently cast in lead romantic roles. Most
memorably in the five films below:
'Chahat', 1992, director Hasnain, Shan
worked opposite Reema in lead role.
'Aan milo sajna', 1993, Shan- Reema
played the lead.
'Aawargi', 1994, director Mohammad
Javed Fazil, Shan and Madiha Shah played the lead.
'Mein nay pyar kya', 1994, Shan-
Madiha Shah in lead roles.
'Naam ki suhagan', 1994, Shan- Rubi in
lead characters.
Shan is an opinionated, engrossingly
captivating actor. Additionally, he could speak the tragic sense of the
story. Over and above, Shan also had a knack for finding the best in
movies. Below is an example:
'Mohabbat di agg', 1994, Shan- Nadia
in the lead roles.
The scope of the story in vast in
Shan's movies. Perhaps, because they are so creatively crafted. However,
in the mid 1990s, some of his films could not succeed at the box office.
Dejected, Shan seriously thought to leave Pakistan and settle in the
U.S.A.
Fortunately, director Shamim Ara cast
Shan in her movie, 'Aakhri mujra', which brought popularity to Shan as
well.
Similarly, director-writer, Syed Noor,
signed Shan in his 1996 film 'Ghunghat'. In 'Ghunghat', Shan played a
very different role of a jilted lover, opposite Resham. Director
Sangeeta created the unerringly smart movie, 'Khilona', in 1996, with
Shan and Saima in lead roles.
The film 'Khilona' was followed by
another magnificent movie 'Sangam', in 1997, with Shan and Resham in
lead characters.
Shan made a series of outstanding
films and continued to thrive as an actor. He won the hearts of his
loyal fans through movies like the two below:
'Nikah', 1998, director Sangeeta, Shan
played the lead opposite Reema.
'Do boond pani', 1998, director
Sangeeta, Shan teamed up with Resham.
Shan has a heart so big, it just burst
with all that love. I don't believe we have a word for this kind of
love.
Jubilant admirers greeted the release
of the film 'Daku Rani', 1999, directed by Syed Noor. Shan paired off
with Saima.
As actor- director Shan came
completely into his own. In movie after movie, Shan offered hope to the
inquisitive moviegoers. Moreover, he was successful in that particular
brand of sentimentality-the love- hates stories of his movies.
Shan's 1999 movie as an actor and
director was 'Guns and roses', in which he worked opposite Meera. Shan,
whose life and achievements inspired others, is all praise for his
parents who did so much for Pakistani cinema.
Reverting to Shan's movies, the film 'Mujhay
chand chaheye', in the year 2000, is a touchstone to all his admirers.
Shan directed the movie, and played the lead opposite Reema.
Shan, who has always been ambitious
and motivated, gathered encomiums from the public after the theatrical
release of the three films below:
'Moosa Khan', 2001, Shan- Saima in
lead roles.
'Buddha gujjur', 2002, Shan- worked
opposite Saima.
'Shararat', 2003, Shan paired off with
Reema.
Shan won the Nigar Award for best
actor in the film, 'Bulandi', in 1990.
Shan won the Nigar Award for best
actor in the film, 'Ghunghat', in 1996.
After all these years finally I
know-and, best of all, Shan's fans also know the secret of his success.
That Shan continued to work as an individual artist on what was in fact
a group feat of filmmaking is presumably the secret of his potency.
Most definitely, Shan
still has a lot more years of fame left.
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