song
'Gari ko chalana babu, zara halkay, halkay, halkay, kaheen dil ka jaam
na chalkay', singer, Zubeida Khanum).
A little later, Shad appeared as the
hero in the film 'Seestaan' (1954, director, N.M.Khwaja, stars, Shad as
lead actor, Musarrat Nazeer as lead actress, Aasha Poslay, Agha Saleem
Raza).
Shad then appeared in the film 'Khatoon',
released on March 25, 1955, director, Nazeer, producer, Ismail Noor,
stars, Shad- Sauran Lata, Nazeer- Naeem Hashmi.
After working in the above five films,
Shad vanished from the big screen for a while. Fortunately, for
cine-goers, after that respite, he resumed his career.
His fans will be amazed to know that
Shad used to stutter. His tongue problem plagued him his entire life.
However, all his films are completely free of his speech impediment.
Shad was born in 1932 to an
enlightened, middle class family of Lahore. His grand father, Deen
Mohammad, established an office building at Shahra-e-Quaid-e-Azam
(former Mall Road), Lahore. Shad's brother, Afzal, is the son-in-law of
Chaudhry Eid Mohammad.
Eid Mohammad used to be the film
producer-director at one time, who also owned the Rattan cinema, Lahore.
Shad's other brother is a chartered accountant. His third brother is
known for his paintings. Director Anwar Kamal Pasha changed Shad's name
to Zia and made him the hero of his hit film, 'Qatil'.
'Qatil' was released on January 22,
1955, starring, Santosh Kumar - Sabiha Khanum - Zia- Nayyar Sultana-
Musarrat Nazeer- Akmal, producer, Agha G.A. Gul.
Afterwards, Zia became Aslam Pervez
(his name was changed for the third and last time) and he worked as hero
opposite Noor Jehan in the Punjabi film 'Paatay Khan'. (Producer, Islam
uddin Shami, director, M.A. Rasheed, Zareef played the title role of 'Paatay
Khan', composer, Akhtar Husain, starring, Aslam Pervez- Noor Jehan-
Zareef- M.Ismail- Alauddin- Nazeer- singer-cum actress, Zubeida Khanum
was dubbed as Zareef's lover. The hit film 'Paatay Khan' sky- rocketed
the career of Aslam Pervez.
He appeared in many movies before
achieving stardom.
In his thirty years as an actor,
1954-84, Aslam Pervez was known for his cinematic face, attractive
personality and fashionable dress.
He added to his success with the
following films:
'Pardaisan', 'Painga', Paasbaan', 'Pholay
Khan' and 'Palkan'
Additionally, he was well known for
socializing with people. His friends and associates named him 'Prince
Aslam' for his magnanimity.
Below are five films, which
established his national reputation:
'Kachhian kalyaan', 'Zulfaan', Miss
56, 'Chan Maahi' and 'Aas Paas'.
Furthermore, he was the
patron-in-chief of a popular cricket club in Lahore. Being a good
cricketer himself, he always financed the club.
The following five movies eloquently
proves his attachment to the public:
'Muzloom', Aankh ka nasha', 'Humsafar',
'Choomantar' and 'Koel'.
His leading ladies over the years
included Noor Jehan- Musarrat Nazeer- Sabiha Khanum- Bahar- Yasmeen-
Shamim Ara- and Nayyar Sultana.
Around that time, Aslam Pervez
suffered a temporary set back. The following nine films flopped at the
box office. His reputation was at stake:
'Nai larki', 'Himmat', 'Sunehray
sapnay', 'Lakan matti', 'Laila mujnu', 'Sohni kumharan', 'Roop mati', 'Baaz
bahadur' and 'Zameen ka chand'.
However, the films 'Bhabhi' and 'Ishq
per zoar nahi' did good business.
The film distributors refused to show
films in the theaters, in which Aslam Pervez played the lead romantic
role.
The year 1959 brought encouraging news
for Aslam Pervez. The film 'Neend' was Hasan Tariq's first film as
director. No pain no gain. Hasan Tariq took a big risk by offering a
unique role to Aslam Pervez in his film 'Neend'.
Despite the fact that Aslam Pervez was
the hero of 'Neend' he was portrayed as a bad man. He was dubbed as
highly influential entrepreneur. His role was a blend of good and bad.
As the story goes, he fell in love
with an attractive but poor girl, whom he raped. Later, the innocent
rape victim dies, after giving birth to a baby girl.
That experimental role was an arduous
challenge for Aslam Pervez. He was very successful in that character. In
reality, the film 'Neend' made Aslam Pervez the first anti- hero of the
Pakistani cinema.
For the first time in 1960, he
appeared as villain in the film 'Saheli', directed by S.M. Yusuf. To see
is to believe. From head to toe, he successfully portrayed himself as a
wicked man.
From 1960 onwards, the film directors
always gave him the role of a villain.
The films of lasting interest like the
five below are still fresh in our minds:
'Insaan aur Aadmi', 'Riwaaj', 'Baharo
phool barsao', 'Shikwa' and 'Nateeja'.
He married an educated actress of his time, Khawar Sultana, who died a
few years ago. One of their sons studied and settled in the U.S.A.
Aslam Pervez made his lucky strike in
the following five films:
'Daman', Qatal kay baad', 'Mujahid', 'Sartaj'
and 'Tasweer'.
By the end of 1960, he became the
greatest villain ever to grace the Pakistan film industry. He achieved
great fame as an actor in the following five films:
'Taqdeer', 'Payal ki jhankaar', 'Kaafir',
'Khilona', and 'Mafroor'
He garnered more attention, which extended beyond his life with the
exhibition of the following five films:
'Mehal', Asmat', 'Behan bhai', 'Adalat',
and 'Naheed'.
Just think of the films , which were
class acts. The following four movies were made successful by winning
performance turned in by the movie crew, which included Aslam Pervez:
'Anmol mohabbat', 'Aanch', director
Qadeer Ghauri's film 'Mehmaan' and the film 'Pardaisi'.
He is most well known for his role in
the film 'Insaan aur Aadmi' for which he won the Nigar Award for best
supporting actor.
One fateful day in November 1984, both
Aslam Pervez and actor Iqbal Hasan were traveling in the same car to the
film studio.
Director Haider Chaudhry and the rest
of the film crew were waiting for them to arrive for the location
shooting of the film 'Jhoora'.
As luck would have it, the car
suffered a fatal road accident. Iqbal Hasan died on the spot. Aslam
Pervez was rushed to the hospital with life threatening injuries. A few
days later, on November 21, 1984, Aslam Pervez lost his battle against
severe injuries.
He was gone, and I
imagined him running upward in sun light in the happy journey that he,
like each of us, must make alone.
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